Donna Mills is 85. Meghan Markle is 45. And after Mills laid out a daily fitness routine that would exhaust people half her age, social media did what it always does with the Sussexes: it compared the two — and Meghan did not come out ahead.
The Knots Landing star told Fox News Digital she still does 100 sit-ups a day, 50 leg lifts, heavy stretching at a ballet barre in her home gym, 45 minutes to an hour on the bike, and tennis as often as five times a week.

“I started out as a dancer, so I know how essential that is,” she has said. She also credits never quitting movement with avoiding the knee and hip replacements common among her peers. “I didn’t wake up looking like this.”
Her one confessed vice? Nacho-cheese Doritos. “I’m a Doritos addict,” Mills said — a snack she has been known for on sets for decades, even as she otherwise stays off sugar after reading Sugar Blues years ago.
That combination — old-school discipline plus a human weakness for chips — is why people are staring at recent photos of Mills and asking an unkind question about the Duchess of Sussex.
The comparison that landed like a slap
Mills built her look the hard way: ballet training, daily sweat, protein and vegetables, almost no pasta or dessert. She still acts, still hosts, still works a vineyard, and recently launched an OnlyFans account at 85 — not because she needed relevance, but because she still wants to work.
Meghan, born August 4, 1981, turned 45 last month. She has had palace stylists, Netflix money, Montecito sunlight, and a full-time PR apparatus. Yet recent appearances have been picked apart: a Paris Fashion Week outing branded a “desperate bid for relevance” that “backfired,” an all-white Balenciaga look mocked as stiff and forced, and viral side-by-sides that focused on a tighter face, a higher hairline, and a tense expression.
One unflattering profile shot circulating this week — Meghan in a white halter, shoulders hunched, makeup doing overtime — is exactly the kind of image that makes an 85-year-old in a pink workout set look like the winner.
This is not a medical diagnosis. People age differently. Stress, two pregnancies, and living under a microscope will change a face. But the Sussexes have spent years selling themselves as the enlightened, wellness-branded alternative to the “trapped” royal family. When an octogenarian soap villain looks more alive than the duchess who lectures the world about balance, the brand takes a hit.
The Sussex problem is bigger than a photograph
Looks are the bait. The record is the story.
Harry and Meghan left working royal life in 2020 promising a new model of service. What followed was a pile of commercial deals, a Netflix series, a memoir that detonated family relationships, and a charity whose books have been picked apart for years.
Archewell’s own filings have shown expenses dwarfing grants. One widely cited stretch put expenses around $5.1 million against about $1.25 million given out. Critics, including Perez Hilton, called the later rebrand to “Archewell Philanthropies” and a fiscal-sponsor model “hella shady,” arguing “the math ain’t mathing.” Staff exits followed. Insiders told British papers the foundation had been “essentially shuttered.”
Invictus, Harry’s signature veterans project, has not been spared. A Canadian analysis of the 2025 Games put the price tag near $63 million for a few hundred competitors, with a large slice of public money. Separately, reports claimed Meghan was taking affiliate commissions on outfits worn to Invictus events — “blurring the lines between philanthropy and personal profit,” as one insider put it, while Harry stood on stage talking about wounded veterans.
That is the charge that sticks: they preach service and invoice the brand.
Meghan McCain put it in plainer American: “entitled grifters.” You do not have to like McCain to recognize why the line travels. Harry and Meghan cashed the titles, cashed the trauma narrative, cashed the streaming deals — then acted shocked when the public stopped applauding.
Style without substance is just costume
Mills still dresses like a star who knows the assignment. She has been roasted for “too much makeup” and answered, “Sorry, not sorry. I like the way I look. Style doesn’t have an expiration date.”
Meghan’s fashion year has been a different kind of spectacle: the Paris video filmed near the tunnel where Princess Diana died; a closet photo critics called tone-deaf before a speech about children and social media; an As Ever campaign image mocked as a failed Audrey Hepburn cosplay.
High fashion is not a moral failing. Using a veterans’ Games as a shoppable lookbook, or a dead princess’s crash site as lifestyle content, is a character test. They keep failing it.
Harry’s role in this is not innocent bystander. He chose the Oprah interview. He chose Spare. He chose Montecito over the institution that raised him, then spent years litigating the institution in public. When the California experiment cooled, reports said the couple was angling back toward Britain with the children in British schools — the same country they spent half a decade painting as unsafe and racist.
That is not growth. That is a location change.
What Donna Mills actually proves
Mills is not a saint. She is a working actress who never pretended that looking good at 85 is a vibe. “You can’t just decide, ‘Oh, I’m going to look good,’” she said. “It takes work.”
That is the contrast. One woman does 100 sit-ups, plays tennis, eats her vegetables, and admits the Doritos. The other built a global grievance machine, a lifestyle label, and a charity that spent more on itself than it gave away — then wondered why the glow faded.
Meghan Markle is 40 years younger than Donna Mills. If the internet thinks the 85-year-old is winning, the problem is not the algorithm. The problem is a couple who confused publicity with purpose, titles with character, and a filtered feed with a life. Harry followed her off the working-royal cliff and has been in free fall ever since.
Mills will probably still be on a tennis court next week. The Sussexes will still be rebranding. Guess which one looks like she knows who she is.